{"id":5656,"date":"2014-09-19T15:11:22","date_gmt":"2014-09-19T15:11:22","guid":{"rendered":"http:\/\/www.cluny.com.br\/?page_id=5656"},"modified":"2014-09-19T15:11:22","modified_gmt":"2014-09-19T15:11:22","slug":"musica-erudita-compositores-estrangeiros","status":"publish","type":"page","link":"https:\/\/cluny.com.br\/?page_id=5656","title":{"rendered":"M\u00fasica Erudita – Compositores Estrangeiros"},"content":{"rendered":"\n\n\n\n\t\n\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t
Nome<\/th>Per\u00edodo Musical<\/th>Pa\u00eds<\/th>Nasc<\/th>Falec<\/th>Algumas Obras Importantes<\/th>\n<\/tr>\n<\/thead>\n
Alb\u00e9niz, Isaac<\/td>romantismo<\/td>Espanha<\/td>1860<\/td>1909<\/td>Iberia (su\u00edte para piano) \/ Su\u00edte Espanhola (Asturias) \/ Cantos de Espanha<\/td>\n<\/tr>\n
Albinoni, Tomaso<\/td>barroco<\/td>It\u00e1lia<\/td>1671<\/td>1751<\/td>Ad\u00e1gio em sol menor<\/td>\n<\/tr>\n
Arensky, Anton<\/td>romantismo<\/td>R\u00fassia<\/td>1861<\/td>1906<\/td>Varia\u00e7\u00f5es sobre um Tema de Tchaikovsky<\/td>\n<\/tr>\n
Bach, Johann Sebastian<\/td>barroco<\/td>Alemanha<\/td>1685<\/td>1750<\/td>(mais de 1000 composi\u00e7\u00f5es conhecidas) \/\/ Cantatas (mais de 200) \/ Su\u00edtes Orquestrais \/ Concertos de Brandenburg (6) \/ O Cravo Bem Temperado \/ Varia\u00e7\u00f5es Goldberg \/ Missa em si menor \/ Paix\u00e3o segundo S\u00e3o Jo\u00e3o \/ Paix\u00e3o segundo S\u00e3o Mateus \/ Su\u00edtes Inglesas \/<\/td>\n<\/tr>\n
Bach, Carl Philipp Emanuel<\/td>classicismo<\/td>Alemanha<\/td>1714<\/td>1788<\/td>Seis Sonatas Prussianas \/ Seis Sonatas W\u00fcrtenburguesas<\/td>\n<\/tr>\n
Bach, Johann Christian<\/td>classicismo<\/td>Alemanha<\/td>1735<\/td>1782<\/td>Sinfonias, sonatas, m\u00fasicas de c\u00e2mara<\/td>\n<\/tr>\n
Beethoven, Ludwig van<\/td>classicismo<\/td>Alemanha<\/td>1770<\/td>1827<\/td>Sinfonias (9): Terceira \"Her\u00f3ica\"; Sexta \"Pastoral\"; Nona \"Coral\" \/\/ Sonatas para Piano (32): Sonata #\"8 \"Pat\u00e9tica\"; Sonata # 14 \"Sonata ao Luar\"; Sonata # 21 \"Waldstein\" ; Sonata # 23 \"Appassionata\"; \/\/ Concertos (7): Concerto # 5 \"Imperador\" \/\/ Pour Elise<\/td>\n<\/tr>\n
B\u00e9la Bartok<\/td>modernismo \/ contempor\u00e2nea<\/td>Hungria<\/td>1881<\/td>1945<\/td>Quartetos de corda \/ Concerto para orquestra \/ O Castelo de Barba-Azul (\u00f3pera) \/ O Mandarim Maravilhoso (ballet) \/ Sonata para violino solo \/ Sonata para dois pianos e percuss\u00e3o<\/td>\n<\/tr>\n
Bellini, Vincenzo<\/td>romantismo<\/td>It\u00e1lia<\/td>1801<\/td>1835<\/td>\u00d3peras (11): Norma; La Sonnambula<\/td>\n<\/tr>\n
Berlioz, Hector<\/td>romantismo<\/td>Fran\u00e7a<\/td>1803<\/td>1869<\/td>Sinfonia Fant\u00e1stica \/ Les Troyens (\u00f3pera) \/ \"A Dana\u00e7\u00e3o de Fausto\"<\/td>\n<\/tr>\n
Bernstein, Leonard<\/td>modernismo \/ contempor\u00e2nea<\/td>Est. Unidos<\/td>1918<\/td>1990<\/td>M\u00fasica para cinema e teatro: West Side Story \/ m\u00fasica orquestral: sinfonias<\/td>\n<\/tr>\n
Bizet, Georges<\/td>romantismo<\/td>Fran\u00e7a<\/td>1838<\/td>1875<\/td>\u00d3peras: Carmen; Pescadores de P\u00e9rolas \/\/ Su\u00edtes 1 e 2: L'Arlesienne<\/td>\n<\/tr>\n
Bocherini, Luigi<\/td>classicismo<\/td>It\u00e1lia<\/td>1743<\/td>1805<\/td>Minueto para cordas<\/td>\n<\/tr>\n
B\u00f6hm, George<\/td>barroco<\/td>Alemanha<\/td>1661<\/td>1733<\/td>Cantatas, partitas, prel\u00fadios<\/td>\n<\/tr>\n
Borodin, Alexander<\/td>romantismo<\/td>R\u00fassia<\/td>1833<\/td>1887<\/td>\u00d3pera: Pr\u00edncipe Igor (Dan\u00e7as Polovtsianas) \/\/ Sinfonias (3)<\/td>\n<\/tr>\n
Brahms, Johannes<\/td>romantismo<\/td>Alemanha<\/td>1833<\/td>1897<\/td>Sinfonias (4): Sinfonia # 3 op. 90 \/\/ Valsas (16) \/\/ Dan\u00e7as H\u00fangaras (21) \/\/ Sonatas para violino e piano \/\/ Can\u00e7\u00f5es: Can\u00e7\u00f5es op. 49 (Berceuse) \/\/ Um R\u00e9quiem Alem\u00e3o (m\u00fasica lit\u00fargica para coral)<\/td>\n<\/tr>\n
Bruckner, Anton<\/td>romantismo<\/td>\u00c1ustria<\/td>1824<\/td>1896<\/td>Sinfonias (9)<\/td>\n<\/tr>\n
Buxtehude, Dieterich<\/td>barroco<\/td>Alemanha<\/td>1637<\/td>1707<\/td>\u00c1rias, cantatas, concertos, prel\u00fadios, sonatas, su\u00edtes, tocatas<\/td>\n<\/tr>\n
Chopin, Fr\u00e9d\u00e9ric<\/td>romantismo<\/td>Pol\u00f4nia<\/td>1810<\/td>1849<\/td>Concertos para piano, noturnos, sonatas, baladas, mazurkas, valsas, polonaises \/\/ Noturno op 9 # 2 \/ Fantasia Improviso op. 66 \/ Prel\u00fadio op. 28 # 15 \"Raindrop\" \/ Balada # 1 op. 23 \/ Valsa op. 64 # 1 \"Valsa do Minuto\" \/ Valsa em mi menor \/ Valsa op. 69 <\/td>\n<\/tr>\n
Corelli, Arcangelo<\/td>barroco<\/td>It\u00e1lia<\/td>1653<\/td>1713<\/td>Concertos grossos (12) \/ Sonatas<\/td>\n<\/tr>\n
Czerny, Carl<\/td>classicismo<\/td>\u00c1ustria<\/td>1791<\/td>1857<\/td>Sinfonias, concertos, sonatas e quartetos de corda (mais de 300) \/\/ Estudos para piano (Obs.: Czerny \u00e9 reconhecido como compositor de pe\u00e7as did\u00e1ticas)<\/td>\n<\/tr>\n
Debussy, Claude<\/td>impressionismo \/ modernismo<\/td>Fran\u00e7a<\/td>1862<\/td>1918<\/td>Prel\u00fadios para piano \/ Quarteto de cordas \/ Clair de Lune \/ Arabesque \/ Su\u00edte Bergamasque<\/td>\n<\/tr>\n
Donizetti, Gaetano<\/td>romantismo<\/td>It\u00e1lia<\/td>1797<\/td>1848<\/td>\u00d3peras (70): Ana Bolena; O Elixir do Amor; Lucia di Lammermoor; Don Pasquale<\/td>\n<\/tr>\n
Dukas, Paul<\/td>modernismo<\/td>Fran\u00e7a<\/td>1865<\/td>1935<\/td>poema sinf\u00f4nico \"O Aprendiz de Feiticeiro\"<\/td>\n<\/tr>\n
Dvor\u00e1k, Anton\u00edn<\/td>romantismo<\/td>Bo\u00eamia (Rep. Tcheca)<\/td>1841<\/td>1904<\/td>Sinfonias (9): Sinfonia # 7, # 8 e # 9 \/ Dan\u00e7as Eslavas \/ \u00f3peras \/ m\u00fasica de c\u00e2mara \/ pe\u00e7as para piano<\/td>\n<\/tr>\n
Faur\u00e9, Gabriel<\/td>romantismo<\/td>Fran\u00e7a<\/td>1845<\/td>1924<\/td>Sonatas para violino e violoncelo \/ R\u00e9quiem \/ Pavane<\/td>\n<\/tr>\n
Franck, Cesar<\/td>romantismo<\/td>B\u00e9lgica<\/td>1822<\/td>1890<\/td>Pe\u00e7as orquestrais, pe\u00e7as para piano, pe\u00e7as para \u00f3rg\u00e3o, m\u00fasicas de c\u00e2mara \/\/ Prel\u00fadio, coral e fuga para piano \/ Sonata para violino e piano \/ Quarteto de cordas \/ Sinfonia em r\u00e9 menor \/ Varia\u00e7\u00f5es Sinf\u00f4nicas<\/td>\n<\/tr>\n
Froberger, Johann Jakob<\/td>barroco<\/td>Alemanha<\/td>1616<\/td>1667<\/td>Tocatas, fantasias<\/td>\n<\/tr>\n
Geminiani, Francesco<\/td>barroco<\/td>It\u00e1lia<\/td>1687<\/td>1762<\/td>Concertos grossos<\/td>\n<\/tr>\n
Gershwin, George<\/td>modernismo \/ contempor\u00e2nea<\/td>Est. Unidos<\/td>1898<\/td>1937<\/td>\u00d3peras: Porgy and Bess \/ Concertos e raps\u00f3dias: Rhapsody in Blue<\/td>\n<\/tr>\n
Glazunov, Alexander<\/td>romantismo<\/td>R\u00fassia<\/td>1865<\/td>1936<\/td>Concerto para violino \/ As Esta\u00e7\u00f5es (ballet)<\/td>\n<\/tr>\n
Gluck, Christoph Willibald von<\/td>classicismo<\/td>Alemanha<\/td>1714<\/td>1787<\/td>\u00d3peras: Orfeo ed Euridice; Iphig\u00e9nie en Aulide; Iphig\u00e9nie en Tauride<\/td>\n<\/tr>\n
Gounod, Charles<\/td>romantismo<\/td>Fran\u00e7a<\/td>1818<\/td>1893<\/td>\u00d3pera: Fausto \/ Petite symphonie \/ Ave Maria<\/td>\n<\/tr>\n
Grieg, Edvard<\/td>romantismo<\/td>Noruega<\/td>1843<\/td>1907<\/td>Su\u00edtes orquestrais Peer Gynt (2): Manh\u00e3; A Morte de Ase; Dan\u00e7a de Anitra; In the Hall of the Mountain King; The Abduction of the Bride; Dan\u00e7a \u00c1rabe; Stormy Evening on the Sea; Can\u00e7\u00e3o do Solveig \/ Concerto para Piano op. 16 \/\/ pe\u00e7as l\u00edricas (66), dan\u00e7as <\/td>\n<\/tr>\n
Haendel, Georg Friedrich<\/td>barroco<\/td>Alemanha<\/td>1685<\/td>1759<\/td>Orat\u00f3rios, \u00f3peras, concertos para \u00f3rg\u00e3o, concertos grossos \/\/ Orat\u00f3rios (25): Messias; Salom\u00e3o (Chegada da Rainha de Sab\u00e1) \/\/ M\u00fasica Aqu\u00e1tica (su\u00edtes orquestrais) \/\/ M\u00fasica para os Fogos de Artif\u00edcio Reais \/\/ Concerto grosso op. 6<\/td>\n<\/tr>\n
Haydn, Franz Joseph<\/td>classicismo<\/td>Alemanha<\/td>1732<\/td>1809<\/td>Sinfonias (104): Sinfonias Paris; Sinfonias Londres \/ Quartetos de cordas: Quarteto de cordas op. 76<\/td>\n<\/tr>\n
Ketelbey, Albert<\/td>modernismo \/ contempor\u00e2nea<\/td>Inglaterra<\/td>1875<\/td>1959<\/td>Em um Mercado Persa; No Jardim de um Mosteiro; No Jardim de um Templo Chin\u00eas<\/td>\n<\/tr>\n
Khachaturian, Aram<\/td>modernismo \/ contempor\u00e2nea<\/td>Arm\u00eania<\/td>1903<\/td>1978<\/td>Concertos para violino, violoncelo e piano, sinfonias (3), bal\u00e9s, pe\u00e7as para piano \/\/ Bal\u00e9s: Gayane (Dan\u00e7a do Sabre), Spartacus \/\/ Concerto para piano<\/td>\n<\/tr>\n
Leh\u00e1r, Franz<\/td>romantismo<\/td>Eslov\u00e1quia<\/td>1870<\/td>1948<\/td>Operetas, sonatas, valsas \/ A Vi\u00fava Alegre (opereta)<\/td>\n<\/tr>\n
Leoncavallo, Ruggero<\/td>romantismo<\/td>It\u00e1lia<\/td>1857<\/td>1919<\/td>\u00d3peras e operetas: Os Palha\u00e7os; La Boh\u00e8me<\/td>\n<\/tr>\n
Liszt, Franz<\/td>romantismo<\/td>Hungria<\/td>1811<\/td>1886<\/td>Raps\u00f3dias H\u00fangaras (19): Raps\u00f3dia H\u00fangara # 2 \/ Sonho de Amor - Liebestraum \/ La Campanella \/ Sonata em si menor \/ Anos de Peregrina\u00e7\u00e3o (su\u00edtes)<\/td>\n<\/tr>\n
Locatelli, Pietro<\/td>barroco<\/td>It\u00e1lia<\/td>1695<\/td>1764<\/td>Concertos para violino, sonatas, concertos grossos \/\/ Arte do violino op. 3<\/td>\n<\/tr>\n
Machaut, Guillaume de<\/td>m\u00fasica medieval<\/td>Fran\u00e7a<\/td>c. 1300<\/td>1377<\/td>m\u00fasica trovadoresca, m\u00fasica sacra<\/td>\n<\/tr>\n
Mahler, Gustav<\/td>modernismo \/ contempor\u00e2nea<\/td>Bo\u00eamia (Rep. Tcheca)<\/td>1860<\/td>1911<\/td>Sinfonias (10): Sinfonia # 2 (Ressurrei\u00e7\u00e3o); Sinfonia # 5 \/ A Can\u00e7\u00e3o da Terra - Das Lied von der Erde<\/td>\n<\/tr>\n
Marcello, Alessandro<\/td>barroco<\/td>It\u00e1lia<\/td>1669<\/td>1747<\/td>Concertos, cantatas, \u00e1rias, sonatas para violino \/\/ Concerto em r\u00e9 menor para obo\u00e9, cordas e baixo cont\u00ednuo<\/td>\n<\/tr>\n
Mascagni, Pietro<\/td>romantismo<\/td>It\u00e1lia<\/td>1863<\/td>1945<\/td>\u00d3peras (16): Cavalaria Rusticana<\/td>\n<\/tr>\n
Massenet, Jules<\/td>romantismo<\/td>Fran\u00e7a<\/td>1842<\/td>1912<\/td>\u00d3peras (25): Manon; Werther; Thais (Medita\u00e7\u00e3o de Thais) \/ orat\u00f3rios e cantatas: Maria Madalena \/ bal\u00e9s \/ Elegia<\/td>\n<\/tr>\n
Mendelssohn, Felix<\/td>romantismo<\/td>Alemanha<\/td>1809<\/td>1847<\/td>Sinfonias (5) \/ Pe\u00e7as para piano: Can\u00e7\u00f5es sem Palavras (48) \/ Sonho de uma Noite de Ver\u00e3o \/ Marcha Nupcial<\/td>\n<\/tr>\n
Mozart, Wolfgang Amadeus<\/td>classicismo<\/td>\u00c1ustria<\/td>1756<\/td>1791<\/td>Concertos para piano, violino e outros instrumentos: Concerto # 21 K467 \"Elvira Madigan\" \/\/ Sonatas para piano: Sonata # 11 (Marcha Turca); Sonata # 16 \/\/ Sinfonias (41): Sinfonia # 39 K543; Sinfonia # 40 K550; Sinfonia # 41 K551 \"J\u00fapiter\" <\/td>\n<\/tr>\n
Mussorgsky, Modest<\/td>romantismo<\/td>R\u00fassia<\/td>1839<\/td>1881<\/td>\u00d3peras (7): Boris Godunov \/\/ Quadros de uma Exposi\u00e7\u00e3o (pe\u00e7a para piano) \/\/ Can\u00e7\u00f5es e Dan\u00e7as da Morte<\/td>\n<\/tr>\n
Offenbach, Jacques<\/td>romantismo<\/td>Alemanha<\/td>1819<\/td>1880<\/td>\u00d3pera: Contos de Hoffmann (Barcarola)<\/td>\n<\/tr>\n
Orff, Carl<\/td>romantismo<\/td>Alemanha<\/td>1895<\/td>1982<\/td>Carmina Burana (cantata)<\/td>\n<\/tr>\n
Pachelbel, Johann<\/td>barroco<\/td>Alemanha<\/td>1653<\/td>1706<\/td>Pe\u00e7as para corais, sonatas, tocatas, fugas e cantatas \/\/ Canon em r\u00e9 maior<\/td>\n<\/tr>\n
Paderewski, Ignacy Jan<\/td>romantismo<\/td>Pol\u00f4nia<\/td>1860<\/td>1941<\/td>Pe\u00e7as para piano, pe\u00e7as para orquestra e instrumento solo, m\u00fasica de c\u00e2mara<\/td>\n<\/tr>\n
Paganini, Niccol\u00f2<\/td>romantismo<\/td>It\u00e1lia<\/td>1782<\/td>1840<\/td>Caprichos para violino (24), concertos para violino (6), sonatas para violino (12), quartetos de cordas (12) \/\/ Concerto # 1 para violino<\/td>\n<\/tr>\n
Palestrina, Giovanni Pierluigi da<\/td>m\u00fasica renascentista<\/td>It\u00e1lia<\/td>c. 1525<\/td>1594<\/td>Missas, motetos, litanias, madrigais<\/td>\n<\/tr>\n
Ponchielli, Amilcare<\/td>romantismo<\/td>It\u00e1lia<\/td>1834<\/td>1886<\/td>\u00f3peras: \"La Gioconda\" (parte mais famosa desta \u00f3pera \u00e9 o bal\u00e9 \"A Dan\u00e7a das Horas\")<\/td>\n<\/tr>\n
Poulenc, Francis<\/td>modernismo \/ contempor\u00e2nea<\/td>Fran\u00e7a<\/td>1899<\/td>1963<\/td>M\u00fasicas de c\u00e2mara, m\u00fasicas para bal\u00e9s, \u00f3peras, orat\u00f3rios, m\u00fasicas orquestrais \/\/ \u00d3peras: Dialogue des Carm\u00e9lites; La Voix Humaine \/ Concerto para \u00f3rg\u00e3o <\/td>\n<\/tr>\n
Prez, Josquin des<\/td>m\u00fasica renascentista<\/td>Fran\u00e7a<\/td>c. 1440<\/td>1521<\/td>Missas, motetos e can\u00e7\u00f5es<\/td>\n<\/tr>\n
Prokofiev, Sergei<\/td>modernismo \/ contempor\u00e2nea<\/td>R\u00fassia<\/td>1891<\/td>1953<\/td>Alexandre Nevsky \/ Romeu e Julieta (ballet) \/ Pedro e o Lobo<\/td>\n<\/tr>\n
Puccini, Giacomo<\/td>romantismo<\/td>It\u00e1lia<\/td>1858<\/td>1924<\/td>\u00d3peras (10): La Boh\u00e8me; Tosca; Madame Butterfly<\/td>\n<\/tr>\n
Purcell, Henry<\/td>barroco<\/td>Inglaterra<\/td>1659<\/td>1695<\/td>Dido e Aeneas (\u00f3pera) \/ Fantasias para violas \/ Chacona \/ The Fairy Queen (The Plaint: O Let Me Weep, Forever Weep)<\/td>\n<\/tr>\n
Rachmaninov, Serguei<\/td>romantismo<\/td>R\u00fassia<\/td>1873<\/td>1943<\/td>Concertos para piano e orquestra (4): Concerto # 2; Concerto # 3 \"Rach 3\" \/\/ Vocalise op. 34 # 14 \/\/ Prel\u00fadios: Prel\u00fadio op. 23 # 5; Prel\u00fadio op. 32 # 12; Prel\u00fadio op. 3 # 2 \/\/ Raps\u00f3dia sobre um Tema de Paganini op. 43<\/td>\n<\/tr>\n
Rameau, Jean-Philippe<\/td>barroco<\/td>Fran\u00e7a<\/td>1683<\/td>1764<\/td>\u00d3peras: Castor et Pollux; Hippolyte et Aricie \/ Les Bor\u00e9ades; Dardanus<\/td>\n<\/tr>\n
Ravel, Maurice<\/td>impressionismo \/ modernismo<\/td>Fran\u00e7a<\/td>1875<\/td>1937<\/td>Bolero \/ Raps\u00f3dia Espanhola \/ Pavana para uma Infanta Defunta \/ Ma M\u00e8re l'Oye \/ Daphnis et Chlo\u00e9 (ballet) \/ Quarteto de cordas<\/td>\n<\/tr>\n
Rimsky-Korsakov, Nicolai<\/td>romantismo<\/td>R\u00fassia<\/td>1844<\/td>1908<\/td>\u00d3peras (16): Sadko (Can\u00e7\u00e3o da \u00cdndia); O Csar Saltan (V\u00f4o do Besouro) \/\/ Pe\u00e7as orquestrais: Abertura da P\u00e1scoa Russa; Capricho Espanhol; Scheherezade<\/td>\n<\/tr>\n
Rodrigo, Joaqu\u00edn<\/td>romantismo<\/td>Espanha<\/td>1901<\/td>1999<\/td>Concerto de Aranjuez<\/td>\n<\/tr>\n
Rossini, Gioacchino<\/td>classicismo<\/td>It\u00e1lia<\/td>1792<\/td>1868<\/td>\u00d3peras (39): O Barbeiro de Sevilha; Guilherme Tell<\/td>\n<\/tr>\n
Rubinstein, Anton<\/td>romantismo<\/td>R\u00fassia<\/td>1829<\/td>1894<\/td>Sinfonias (6), concertos para piano (5), pe\u00e7as para piano, \u00f3peras (20) \/\/ The Demon (\u00f3pera) \/ Concerto para piano # 4 \/ Sinfonia # 2 \"O Oceano\"<\/td>\n<\/tr>\n
Saint-Sa\u00ebns, Camille<\/td>romantismo<\/td>Fran\u00e7a<\/td>1835<\/td>1921<\/td>Dan\u00e7a Macabra \/ Sans\u00e3o e Dalila (\u00f3pera) \/ Carnaval dos Animais \/ Sinfonia # 3<\/td>\n<\/tr>\n
Salieri, Antonio<\/td>classicismo<\/td>It\u00e1lia<\/td>1750<\/td>1825<\/td>\u00d3peras, m\u00fasicas sacras, m\u00fasicas de c\u00e2mara \/\/ \u00d3peras (49): Falstaff, Les Danaides, La Grotta di Trofonio, Tarare<\/td>\n<\/tr>\n
Satie, Erik<\/td>modernismo \/ contempor\u00e2nea<\/td>Fran\u00e7a<\/td>1866<\/td>1925<\/td>Pe\u00e7as para piano: Gymnop\u00e9dies (3); Gnossiennes (6)<\/td>\n<\/tr>\n
Scarlatti, Domenico<\/td>barroco<\/td>It\u00e1lia<\/td>1685<\/td>1757<\/td>Sonatas para cravo<\/td>\n<\/tr>\n
Schoenberg, Arnold<\/td>modernismo \/ contempor\u00e2nea<\/td>\u00c1ustria<\/td>1874<\/td>1951<\/td>Pe\u00e7as para piano<\/td>\n<\/tr>\n
Schubert, Franz<\/td>classicismo \/ romantismo<\/td>\u00c1ustria<\/td>1797<\/td>1828<\/td>Sinfonias (9): Sinfonia # 8 \"Inacabada\" \/\/ Sonatas e pe\u00e7as para Piano: Impromptus (8); Momentos Musicais (6) \/ Sonata \"Arpeggione\" \/ Can\u00e7\u00f5es (entre elas se encontra a famosa \"Serenata\" - Schwanengesang D957 # 4) \/ Quintetos de Cordas: \"A Truta\" <\/td>\n<\/tr>\n
Schumann, Robert<\/td>romantismo<\/td>Alemanha<\/td>1810<\/td>1856<\/td>Pe\u00e7as para piano, pe\u00e7as orquestrais, pe\u00e7as para coral \/\/ Cenas Infantis op. 15 (Tr\u00e4umerei ou Reverie) \/ Estudos Sinf\u00f4nicos, Fantasia op. 17 \/ Kreisleriana op. 16 \/ Carnaval \/ Quinteto para piano e cordas<\/td>\n<\/tr>\n
Scriabin, Alexander<\/td>romantismo<\/td>R\u00fassia<\/td>1872<\/td>1915<\/td>Sonatas para piano<\/td>\n<\/tr>\n
Shostakovich, Dmitri<\/td>modernismo \/ contempor\u00e2nea<\/td>R\u00fassia<\/td>1906<\/td>1975<\/td>Quartetos de cordas \/ Sinfonias<\/td>\n<\/tr>\n
Sibelius, Jean<\/td>romantismo<\/td>Finl\u00e2ndia<\/td>1865<\/td>1957<\/td>Finl\u00e2ndia \/ Valsa Triste \/ Su\u00edte Karelia \/ O Cisne de Tuonela<\/td>\n<\/tr>\n
Smetana, Bedrich<\/td>romantismo<\/td>Rep. Tcheca<\/td>1824<\/td>1884<\/td>\u00d3peras: A Noiva Vendida; Dalibor e Libuse \/\/ Poema sinf\u00f4nico: Minha P\u00e1tria - Ma Vlast (O Moldava)<\/td>\n<\/tr>\n
Strauss Jr, Johann (II)<\/td>romantismo<\/td>\u00c1ustria<\/td>1825<\/td>1899<\/td>Valsas (mais de 200): Dan\u00fabio Azul; Sangue Vienense; Vozes da Primavera; Contos dos Bosques de Viena; Rosas do Sul; Valsa do Imperador; Vinho, Mulheres e Canto; Vida de Artista \/ O Morcego (opereta)<\/td>\n<\/tr>\n
Strauss, Richard<\/td>modernismo \/ contempor\u00e2nea<\/td>Alemanha<\/td>1864<\/td>1949<\/td>Poemas sinf\u00f4nicos: Don Juan; As Aventuras de Till Eulenspiegel; Dom Quixote \/ \u00d3peras: A Mulher sem Sombra (Die Frau ohne Schatten); Salom\u00e9; Electra; O Cavaleiro da Rosa \/ Quatro \u00daltimas Can\u00e7\u00f5es<\/td>\n<\/tr>\n
Stravinsky, Igor<\/td>modernismo \/ contempor\u00e2nea<\/td>R\u00fassia<\/td>1882<\/td>1971<\/td>A Sagra\u00e7\u00e3o da Primavera \/ O P\u00e1ssaro de Fogo (ballet)<\/td>\n<\/tr>\n
Supp\u00e9, Franz von<\/td>romantismo<\/td>Cro\u00e1cia<\/td>1819<\/td>1895<\/td>Operetas<\/td>\n<\/tr>\n
Tchaikovski, Piotr Ilyich<\/td>romantismo<\/td>R\u00fassia<\/td>1840<\/td>1893<\/td>bal\u00e9s (3), \u00f3peras (10), sinfonias (8), concertos para piano (3), pe\u00e7as orquestrais, m\u00fasicas de c\u00e2mara \/\/ pe\u00e7as mais conhecidas: bal\u00e9 \"O Lago dos Cisnes\" (trechos famosos: Sc\u00e8ne; Dan\u00e7a dos Cisnes; A Grande Valsa); bal\u00e9 \"A Bela Adormecida\"; bal\u00e9 \"O Quebra-Nozes\" (trechos famosos: Dan\u00e7a Espanhola; Dan\u00e7a \u00c1rabe; Dan\u00e7a Chinesa: Dan\u00e7a Russa; Dan\u00e7a das Flautas; Dan\u00e7a da Fada A\u00e7ucarada; Valsa das Flores); Concerto para piano # 1<\/td>\n<\/tr>\n
Telemann, George Philipp<\/td>barroco<\/td>Alemanha<\/td>1681<\/td>1767<\/td>Concertos, cantatas, su\u00edes orquestrais, m\u00fasica de c\u00e2mara<\/td>\n<\/tr>\n
Vaughan-Williams, Ralph<\/td>modernismo \/ contempor\u00e2nea<\/td>Inglaterra<\/td>1872<\/td>1958<\/td>Fantasia on Greensleeves<\/td>\n<\/tr>\n
Verdi, Giuseppe<\/td>romantismo<\/td>It\u00e1lia<\/td>1813<\/td>1901<\/td>\u00d3peras (28): A\u00edda; Nabuco; A Traviata; O Trovador; Rigoletto<\/td>\n<\/tr>\n
Vivaldi, Antonio<\/td>barroco<\/td>It\u00e1lia<\/td>1678<\/td>1741<\/td>Concertos (mais de 500), sinfonias, sonatas (73), \u00f3peras (46), m\u00fasica de c\u00e2mara, m\u00fasica sacra \/\/ As Quatro Esta\u00e7\u00f5es (4 concertos para violino) \/ Concerto para dois bandolins<\/td>\n<\/tr>\n
Wagner, Richard<\/td>romantismo<\/td>Alemanha<\/td>1813<\/td>1883<\/td>\u00d3peras (13): O Navio Fantasma; A Valqu\u00edria; Trist\u00e3o e Isolda; Lohengrin, Tannh\u00e4user<\/td>\n<\/tr>\n
Weber, Carl Maria von<\/td>classicismo<\/td>Alemanha<\/td>1786<\/td>1826<\/td>\u00d3peras: Der Freisch\u00fctz; Euryanthe; Oberon<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":132,"menu_order":20,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"footnotes":""},"class_list":["post-5656","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/pages\/5656","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/cluny.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5656"}],"version-history":[{"count":1,"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/pages\/5656\/revisions"}],"predecessor-version":[{"id":5659,"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/pages\/5656\/revisions\/5659"}],"up":[{"embeddable":true,"href":"https:\/\/cluny.com.br\/index.php?rest_route=\/wp\/v2\/pages\/132"}],"wp:attachment":[{"href":"https:\/\/cluny.com.br\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5656"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}